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The Smothers Brothers had one of the best Everything you're looking for is here:
"I didn't realize I was important until they made me shut up." - Tommy Smothers Rumor had it that in 1969, Richard Nixon pressured CBS to cancel 'The Smothers Brothers Comedy Hour', one of the network's top-rated and most profitable shows. It was said that the newly elected President didn't want a weekly comedy show ridiculing his administration (and its aggressive Vietnam war policy) the way the Smothers had done throughout the Johnson administration. Richard Ranke adds:
Thank you for the information about the Smothers Brothers and their
later variety shows. I saw them all. (Does anyone remember their 1970
summer show which included Sally Struthers and Spencer Quinn as regulars?)
Don Novello
was someone I first saw on the Smothers Brothers 1975 show. Most people
only know of him from Saturday Night Live (which should be
dead) and do not realize that he was with the Smothers Brothers first
- or that, in fact, Guido Sarducci was his character, developed long
before S.N.L.
Isn't it
a shame how Pat Paulsen died recently? I saw him
twice on the stage in 1968. His songs (Gaslight, Last Leaf, Bre funk
Smoge), his editorials (Auto Safety, Gun Laws, Doctors Fees, the Draft,
Sex Education, Censorship), his songs with the Fathers (They Say We're
Not Groovy, You Can't Put Us Down, Me an' Little Momma, Sun City) and
the 1968, 1972, 1980, 1988 and 1992 Presidential campaigns are well-remembered
by me.
How many
people know that Pat Paulsen wrote the Smothers Brothers' song, "I Fell
In A Vat of Chocolate," or that he was friends with Tom Smothers since
the Purple Onion nightclub spots in '59?
The people
I feel I know more of because of the Smothers Brothers also include
- Mason Williams, Steve Martin, John Hartford, Jennifer Warren, Bob
Einstein, Kenny Rogers and Jim Stafford.
- Richard
Ranke
I
attended a taping of the original SMOTHERS BROTHERS COMEDY HOUR when
I was about 16 at Television City in Hollywood. As you may know the
Smothers Brothers inherited Judy Garland's old stage (43) and the ramp
the Smothers used that extended out over the audience was originally
built for Judy since it was reminiscent of a theatrical stage, unlike
most television stages which are audience level. Since Stage 43 was rather small, Nelson Riddle's orchestra was housed in an adjoining stage and the music was piped in to 43. The guests on this program were Noel Harrison and Jane Powell. I still have the "Mom Always Liked you Best" button, one of many passed out to those people who stood in line to see the show. - S Kosareff
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Why did CBS give the Smothers a variety show mere months after cancelling their sitcom? They figured a younger audience could counter 'Bonanza's older viewers and the Smothers Brothers had that youthful appeal (but conservative look) the network was looking for. CBS packaged their irreverent style into the standard network variety format with all the trappings (rows of dancers, big name guests, Nelson Riddle as Musical Director) but failure seemed assured, at least that was the industry buzz. Tommy Smothers shrewdly negotiated a 26-week guarantee - if they were going to go down, he reasoned, they may as well get paid.
When 'The Smothers Brothers Comedy Hour' returned for a second season, the show began to develop more of an edge, tackling comedy subjects other television shows never dared to - religion, recreational drugs, sex and political unrest.
Because of the show's
growing popularity, 'Bonanza' was no longer number one by 1968 - but
still, CBS wasn't all that happy.
It wasn't long before Tommy Smothers discovered that he may have had artistic control contractually but the network had absolute control. Popular phrases, controversial songs and sometimes whole comedy segments were excised by the strict network censors. Sure, it was OK in 1967 to make fun of a President's golf game on TV - but not his war.
The network claimed the last show of the season was turned in late, cried breach of contract and dropped the series. (It was later proved that the network DID have the tape in their possession after all.) The network ultimately refused to run the episode anyway because they said it "would be considered irreverent and offensive by a large segment of our audience."
"In our case, seventy-five percent of the twenty-six shows we've done this season were censored," Tom Smothers told Look magazine in June, 1969, "And we're mild. Now, if we're thrown off that easily, what will happen to someone who has something really important to say?" This may go down as one of the most important censorship battles ever fought (and lost) in the United States. The Smothers offered the censored episode on a syndicated basis, hoping that stations would sign on for a new ninety-minute Smothers special with new material added. Instead, NBC aired a 60-minute special starring the Smothers brothers and Peter Fonda (Easy Rider) which led to another weekly variety series - on ABC.
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