Odyssey1 (more commonly
referred to as The Odyssey)
was considered the ultimate 1980's LA gay disco.
The Odyssey was not exclusively gay - most nights attracted
a straight crowd exclusively and the clientele was decidedly mixed every
night.
The club was owned by the notorious Eddie Nash.
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The Odyssey Night Club in LA
Thanks to Michael Randall for the
Odyssey photos!
Funny I was going to take my Odyssey matchbook
and have someone make a t-shirt for me, But you beat me to the punch...lol
Only thing is that you forgot to add the address on the back of the T-
shirt.
Yes, that is me in the day at Odyssey. I
was know for dancing to "One More Shot" next to the D.J. booth..
lol. When I heard the song playing I would run from the T.V. room, down
the steps to the dance floor and take a HUGE hit of Poppers and just do
my thang out there.
You must of gone to Phazes in the valley
and Hot Tracks too.
I used to hang at Seven Sea's too as well as Peanuts, Dirt box, Plastic
Passions, Ariel, Black Market, Club 70's and the list goes on and on..lol
A few years back I was in Palm springs and
saw this guy and I yelled out " OMG You're Chuckie Star" and
it was and he looks the same as he did back then. So, 70's and gay leather
daddy like :)
- Michael
"Oh my!....
"My name is Todd. I grew up in Whittier, and don't recall the first
night I went to the Odyssey... what I do know is that it
was a life changing experience for me.
" It was the first time I was 'out' and at a
gay club. I was 19 and so enthralled with the whole scene. I had so much
fun there... loved the onset of the whole 'new wave' time. I will never
forget any of it. I went to the Odyssey until 1982 when I moved to go dance
in Las Vegas. Thanks for the memories."
- Todd
WOW. I grew up at The Odyssey. What has
happened to Scott Harvey and Chris Cox, Nick Bois Manager, Steve The Door
Man. Myself and Johnny Deakin lived with Louis Barazza on Croft Street and
as under-age-ers and partied every night at the Odyssey, it was a blast.
After the closing we followed Nick to the Seven Seas where
he worked for Eddie Nash, just wasn't the same club or location. Eddie
& Nick got into a lot of trouble and Johnny and myself were there
for much of it. It is wonderful you have a write up on this Club and those
times. Saw many of the New Wavers first at the Odyssey along with Grace
Jones and Elvira at certain Halloween parties they had. Scott Thorsen
was another regular there too.
- ANTHONY
Billy
Eye on
New Wave nights
at the Odyssey and Judy Zee
with Ray Manzarek
and Danny Sugarman
March 6, 1981
"Disco
is like a great porno film. If the characters and filming technique are
interesting, it's great for five minutes."
-
Herbie Mann
Ok,
you're sitting on your ass in a sleazy dive in Reseda, or maybe Huntington
Beach, listening to those two wicked witches of the west, Donna Summer
and Barbra Striesand, sing "Enough is Enough" for the ten-thousandth time
and you just can't stand it anymore!
But
where can you go to dance to some good music? You're not even 21 yet and
they won't let you into the Meat Rack. You been thrown out of the Spike
and Studio One. You can go to Gino's II, but it's so dark in there all
you can see are black light illuminated teeth!
Well,
I've got news for you kids, there is a place where you can dance to the
best new music in town, and you don't have to be 21 to get in. I'm talking
about the Odyssey and in case you've never been there,
here's the scoop.
On
Monday and Friday nights at the Odyssey, you can dance
to the re-mixed sounds of Lene Lovich, The Pretenders, B-52s,
Haircut 100, Go-Gos, Devo and all of your other new wave faves.
Eye
suppose it wouldn't be much of an exaggeration to say that the Odyssey
is one of the nicest dancespots in L.A. with a spacious dancefloor, state
of the art booming sound system and enough trippy lights to keep you happy
even if you aren't on quaaludes.
If
you don't find enough beautiful people to stare at (and believe me, you
will) there are plenty of mirrors surrounding the dancefloor- you can
stare at yourself dancing all night if you want and not look a bit out
of place.
The
crowd that congregates on Fridays at the Odyssey is a diverse one, ranging
from disco clones to new wave clones to disco turned new wave clones.
The Monday crowd is a bit more serious about the music and dancing.
On
either night you'll find lots and lots of young, hip, attractive people
ready to dance and do God knows what else! Everyone here is ready to party
down, Dude.
You'll
even occassionaly find a few cool punks hanging out, but the Odyssey certainly
doesn't attract a radical crowd by any means. Go on a Monday night (the
best night, if you ask me), and they'll give you a free pass for Saturday
night which has a mixed, more mainstream crowd.
Haircut
100
It's
DJs Chuck E. Starr and Steven that spin the records, and
I have seen them whip an audience into a frenzy - everyone screaming and
pogo-ing to their careful manipulation of the sounds.
Being
a disc jockey here is a lot like being a live performer, and Chuck E.
Starr plays to his audience like no one else. Dry ice smoke, whirling
lights and pulsating neon encircled pylons descending from the ceiling
are all part of the Odyssey's mind assault. DJ Starr plays it to the hilt,
visible above the dancefloor in his glass booth. One warning: he doesn't
welcome requests.
The
Pretenders
Well,
look- let me make this simple. Get up out of your seat right now, hop
into your daddy's Mercedes and head down to the Odyssey on Monday and
Friday for new wave nights. Of course, the club is open all other nights
with a disco format with new wave hits thrown in the mix.
The
Odyssey is open afterhours, located at 8471 Beverly Boulevard, near the
corner of La Cieniga in West Hollywood. Check it out (as if you haven't
already).
Coming
up is what I call the big sell out. It was bad enough that I was asked
to write an article about one of our advertisers. (You just read it).
Now, you see, our semi-literate assistant editor has written a review
that he wants inserted into this column. I told him to write a Sports
column, something he knows something about, but to no avail.
So,
since he has threatened that our column won't make it to the printer unless
his screed runs, and I know he is a man of his word (when it comes to
vengeance)... It is my great pleasure to introduce a true professional
- a scholar and one of my very best friends, and I mean that in the very
best Hollywood tradition, the incomparable Danny-Larry.
Skafish's
Fun Fun Album
First
let me introduce myself. I am Danny-Larry. At this time I want to speak
out for Jim Skafish's album- Skafish.
It's
a total unity of work from the very upbeat tune, 'Work Song' to the almost
ballad like 'Romantic Lessons', which I heard from a good friend of Ronnie
Spector's, was written for her latest album SIREN, however Polish Records
producer Genya Raven felt the song was too close to Ronnie's 60s music,
and passed on the song. Well, I say you shouldn't. It is one of the best
pieces of work out today in this garbage filled music world.
The
best cut on the album is 'Joan Fan Club'. Its very innovative, yet stylish.
This album has a little something for everyone into good solid rock. It
takes a selective ear to enjoy such artistry and I know our readers have
such an ear.
Well,
that's my review and whether you liked it or not, I'm about to turn you
over to our first lady -
Judy Zee . . .
Hi,
everyone. . .
LA
Songwriters Showcase
New Way Productions
There
were three people seated comfortably on a stage in West LA Music (7001
Hollywood Blvd)'s rear room where electric guitars are usually mounted
on the wall. An audience of unseasoned, unsigned musicians watched and
listened from the few hundred seats below. The effect was that of a school
auditorium- with certain respected expert guests up on the podium who
knew things the youngsters hadn't yet learned.
The
real 'expert' in this case was ex-'Doors' keyboardist Ray Manzerek,
who has been working lately with local bands, such as X and The
Zippers, to professionalize and put out their music.
"Supporting
the clubs, supporting the bands, that's what's necessary" says the man,
"My objection to big record companies is that they've forgotten that music
is an art." This earned the first sporadic applause of the evening. "Go
with anyone who likes you," was Ray's advice to up and coming musicians,
saying "If you know your music is good, then who cares what the hell anyone
else has to say... Whether you make two dollars or 200,000,000."
The
author of "No One Here Gets Out Alive", (a Jim Morrison biography), Danny
Sugarman, on the other hand should be taken out and shot. Second handedly,
and without the personal experience, with his ego-based, impure and hollow
logic, he repeated everything Ray Manzarek would say. Futhermore, to improve
his image, he would interrupt in the middle of Ray's rare vocal responses
in anticipation of concluding the answer. Ray, being non-argumentative,
would quietly allow these intrusions, though he clearly knew better. I
personally, and I feel I speak for the audience as a whole, felt cheated
by Sugarman's rude and abrupt outbursts.
The best thing Sugarman said during his discourse was that John Travolta
will not play the part of Jim Morrison in the proposed Doors movie. "Ray
elaborated saying, "You can use Jim's name, because Jim's dead." In reference
to movie rights, they're not going to have anyone named 'Ray Manzarek'
unless he signs, which he does not intend to do.
There will be a one hour television special from Copenhagen, "hopefully
in the summer. July 3, 1981, a tribute to the Doors," says Ray.
The
great Manzarek has spoken... pay no attention to that (Sugar)man behind
the curtain.
UPDATES:
"I
always wondered if the Odyssey was on the net..GREAT articles...Yes I
am still ALIVE and living in Palm Springs Calif. I still have all the
music but I am no longer a DJ.
"Today I am a Registered Nurse in an Acute Care Hospital. Say if
you guys want any live feeds of the Odyssey or News feeds of the closing
let me know! Your articles brought back great memories of some fun times!
= ) Thanks! - Chuck E. Starr
"Howdy, I grew up at the Odyssey and became a DJ in LA, claiming
the Fake Club as my premier gig before moving to NYC to play records there.
the whole sordid story is at:
www.hyperactivemedia.com/5am/
if you are interested. and by the way,
"Chuck E. Starr (great to hear he's still around--and a nurse!!!)
didn't play the first new wave record at the Odyssey - Steven Smith did.
It was actually the Buggles doing 'Clean Clean', which I brought him;
and I later forced to him to play 'Rock Lobster', which I had bought from
Joseph & Henry's first Vinyl Fetish store--on Highland (and, I think;
maybe La Brea).
"I just got in contact with Chuck's old light man who has tons of
tapes from the Odyssey and hope to put them online soon at my site."