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No matter day or night, detective show or sitcom, everybody was drinking and doing business. On 'Bewitched', Samantha even drinks while she's pregnant. No big deal, there are clients to entertain! This practice lasted until the late-Eighties, when shows like 'Dallas' and 'Dynasty' (which elevated drunken behavior to role model status) finally fell out of favor.
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Though they made valiant attempts, the biggest stars associated with Christmas from the fifties and sixties (Judy Garland, Bing Crosby, Frank Sinatra) never had a long-running weekly TV show of their own. Here are some examples of how these stars took the opportunity to celebrate the Holidays (to the fullest) on their short-lived variety series.
Bing's very first TV holiday special, The Timex Show (ABC - Dec. 20, 1957), contained some excellent vocal performances of classic Christmas carols, with brassy arrangements that fit the nifty-Fifties' style of swing. The now passed class act of the rat pack (Frank Sinatra) gathered with the cruel dad Christmas crooner himself (Bing Crosby) to celebrate the holiday in a breezy variety half-hour that was shot cocktail style - casual and open, like an in-home lounge act. In this swaggering clip, the hip duo stopped singing and swinging long enough to exchange gifts - and have a couple of drinks, of course.
This may or may not have been true of The Judy Garland Show's Christmas episode, guest-starring daughters Lorna Luft, Liza Minnelli, son Joey Luft, Mel Torme, and Jack Jones, but producers were minutes away from calling off the show because no one knew where the star was.
That's part of what makes this special a must see - Garland and her guests delivered electrifying performances. Mel Torme's guest spot was a point of contention on the day the Christmas show was filmed. Torme had signed a contract with Garland's production company guaranteeing him a certain number of guest appearances during the season. Judy wasn't committing to those dates quickly enough and "The Velvet Fog" was very upset about it. Her introduction to Mel Torme on the program was noticeably awkward for that reason. At least according to Mel Torme in his book "The Other Side of the Rainbow with Judy Garland on the Dawn Patrol" - a book said to be notoriously inaccurate, but I used it as a source anyway because (after all) he was there that day.
First, Judy mistakenly calls Mel Torme 'Mort,' then flubs a line in the song. When Torme good-naturedly pointed it out, Judy purposely exchanged the word "reindeer" with "rainbow" - alluding to her signature tune. Great Stuff.
As the years went on, Judy would show up for variety show guest spots more and more intoxicated - on booze and pills.
Judy Garland died June 21, 1969 after an accidental overdose of sleeping pills. Merry Christmas, my how times have changed!
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In
the good old days (which weren't) you could look forward to a crowded
slate of network Christmas variety specials starring the biggest stars
left over from the radio days - people like Edgar Bergen, Bing Crosby,
and Bob Hope. Well into the seventies, you also had yearly programs
with singing stars (like
Andy Williams and Perry Como) that
were TV favorites but no longer had their own shows.
Bing
Crosby Christmas specials were an annual event - beginning on radio
in 1936 and continuing on television until the singer's death in 1977.
Judy Garland didn't pretend
to drink on her CBS series (1963-64), it was painfully obvious that
she was occasionally drunk when she showed up for tapings.
Behind
the scenes production turmoil and mediocre ratings made Garland's Television
City studio a tense place, or so it seems from what's been written -
but the MGM vet still delivered more bang than any three stars could,
even if she was a little edgy on the series' Christmas episode.
To
further complicate matters, the night before the Christmas show taping,
Garland (aka little "Dorothy" from 'The Wizard of Oz') had been on a
major bender and couldn't be found when shooting was set to begin.
"As
Judy went through her paces that afternoon, I could only look at her
and marvel," Torme wrote in 1969. "How she had managed to return
home, change clothes, do whatever she had to do to drag herself out
of the sleepless abyss she must have been in and show up at Television
City all within the course of an hour and a half was completely beyond
me. Yet here she was, alert, alive, energetic, looking frighteningly
normal. I thought of Johnny Bradford's description of her, 'The Concrete
Canary,' and once again I realized how it fit her."
Whatever
their backstage problems, together Judy and Mel sing (beautifully) Torme's
classic composition 
This was the
ultimate sixties Christmas special - the art direction was superb and
you've got Mort Lindsey conducting his first rate, brassy orchestra.
The tension on the set seemed to bring out the best in everyone as they
maneuvered around the spacious multilevel living room set - singing
and dancing like their lives depended on it.
After
her superb television series failed to get renewed after one season,
Garland was often in such bad vocal shape that she would go on talk
shows (tipsy) and trash her fellow MGM stars. 
Who can blame
him? By Christmas time 1964, his series wasn't doing so great in the
ratings. He knew Garland's outrageous comments would probably make the
papers the next day. At this point in her career, Judy Garland was getting
more headlines for her outrageous public behavior than for her on-stage
triumphs.
Some
audience members tuned in to watch Garland's appearances just to see
if she would make it through the show without cracking up. But she never
failed to deliver a riveting performance.
In 1966, Garland showed
up for a 
By
1994, squatters and junkies took over the building (in the 'heart' of
Hollywood) where 'The Merv Griffin Show' was videotaped. The dressing
rooms that hosted virtually every major star in show business during
the sixties and seventies became a flop house for teenage prostitutes,
hopeless hustlers and severe drug addicts.
